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AFROCENTRIC VOICES IN 'CLASSICAL' MUSIC


African Americans have had a profound impact on the development of music in the United States. While their role in the history of American popular and folk music is now generally acknowledged and appreciated, their influence within the "classical" music world has received little attention--even within the African American community.

Afrocentric Voices focuses on African American performers and composers and on the vocal music forms they influenced, especially opera, art songs and Negro spirituals composed for concert performance.

The musicians profiled here not only opened pathways for today's young African Americans through their own accomplishments, they advised and encouraged youth with lectures and master classes, articles and books. Many of them established scholarships and competitions for young musicians whose talents and desires lead them to seek out careers in "classical" music. These artists showed--and continue to show-- the African American community that support of their young artists is important and does yield positive results.

Presented here is an extensive bibliography of books and other research resources. There is a small--but growing--list of biographies of vocalists and composers, such as Marian Anderson, Harry T. Burleigh, Leontyne Price, and others. Additionally, Afrocentric Voices has a chronology of major events and accomplishments by African American vocal musicians and a list of libraries and research centers that house significant collections of resources by and about African American musicians.

A new Gallery page of images from across the Web has been added to this site. Where available, the images also will have links to biographies, either here on Afrocentric Voices or elsewhere, on the represented performers or composers. Click on the musician's picture to the right to see it and the others on display.




It is a goal to create an Internet broadcast service that features performances of African American vocalists and vocal works by African American composers. Until that time comes, however, below are a variety of video clips from YouTube.




Are you either an individual or choral group giving a performance that includes classical vocal music by an African American? Are you an African American vocalist who will be presenting a recital or lecture or performing in an opera? Do you know of vocal works by Black composers soon to be published or performed? Is there a conference or competition, or have you found a relevant book, Web site or other resource that is not yet listed on this site? I would like to know about it and help you get the word out about it. Please place your announcement under the Afrocentric Voices Forum: Concerts/Conferences/New Publications section. I would especially like notices about scholarships/awards that would be of interest to young African-American singers.




A new research project, called The Art of the Negro Spiritual (ANS), is underway. It will look into historical and performance aspects of the Negro Spiritual as an art song form. The site includes an e-book that has excerpts from the forthcoming book and a survey on the challenges of bringing spiritual art songs to the voice studio. For more information, visit www.artofthenegrospiritual.com.

Also, Come Down Angels, the first recording from the ANS research project, has now been released. It includes spiritual art songs by composers Edward Boatner, Margaret Bonds, H. T. Burleigh, John Carter, Maria Corley, R. Nathaniel Dett, Roland Hayes, Hall Johnson, Betty Jackson King, Robert Mac Gimsey, Undine Smith Moore, Julia Perry, and Hale Smith. The recording comes from live recitals performed by soprano Randye Jones and pianist Francis Conlon. To order copies of the compact disc, visit AhhJay Music at www.ahhjayrecords.com.

New Discussion List

The Negro Spiritual Group is now open on Yahoogroups. This new discussion list:

    The Negro Spiritual Group is for anyone interested in discussing all aspects of the genre. This includes: the history of spirituals, the role it played in slavery and the Christian beliefs of slaves, the post-Civil War use of spirituals in choral anthems and solo vocal concert music, and its importance to the American Civil Rights Movement. Posters to the list may not only raise issues and questions, but they may announce upcoming events, newly released publications and recordings, etc. related to Negro Spirituals.

To join the discussion list, complete the form below:

Subscribe to negrospiritual
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I have opened a Web hosting service with free space exclusively for those in the Performing and Visual Arts and the Humanities. Please visit Artists-In-Residence for more information.





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Please submit contributions, comments, or suggestions to Randye Jones. . Contents of Afrocentric Voices may be used for non-commercial purposes only if the source is acknowledged. All material remains the property of its creator. All commercial rights reserved.

To cite this page:
Afrocentric Voices in Classical Music. Created by Randye Jones. Created/Last modified: May 24, 2008. Accessed: . http://www.afrovoices.com.



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